Monthly Archives: August 2008

A Comment on the Orwell Diaries

“Our spirits, as well as the physical world, would be appreciably different if Orwell had not existed.
Blair wrote nearly such a sentence about H. G. Wells.
But i believe it applies particularly to him for our times.”

via Gilles Mioni | Comment on the Orwell Diaries today

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Skyladders in Liverpool

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Yes

Through collective participation an act of the imagination can become a reality…

LIVERPOOL.- Yoko Ono’s work frequently consists of an invitation to participate in an act of the imagination. For MADE UP, Liverpool Biennial’s 2008 International exhibition, she invites visitors to donate stepladders to her project Liverpool Skyladders. Exhibited in the ruins of St. Luke’s Church, over the course of the Biennial a forest of stepladders will grow inside.

Yoko Ono invites the public to donate a stepladder for inclusion in a new work for Liverpool Biennial’s MADE UP exhibition. Over the ten weeks of the Biennial, with the public’s help, a forest of ladders will grow inside St. Luke’s Church. Liverpool Skyladders invites us all to find space for dreams and the imagination under the open skies.

(Sky)ladders, big and small, metal and wooden, new and old, can be delivered to St. Luke’s Church on
Monday 15 to Wednesday 17 September, between 11am and 5pm
Thursday 18 to Sunday 21 September, between 10am and 6pm

Following the Biennial, the artwork will be donated to charity.

For further information or to promise a (sky)ladder please contact: skyladders@biennial.com

More here via Art Daily

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Modern Art. Modern Lives. Then + Now.

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AUSTIN, TX. (via artdaily) – The Austin Museum of Art (AMOA) presents Modern Art. Modern Lives. Then + Now. This two-part exhibition, organized by the Austin Museum of Art, draws from AMOA’s permanent collection and local collections to explore how modern and contemporary artists merge art and life. It focuses on two distinct periods and areas: the start of modern art in the late 19th and early 20th century in Europe, and the late 20th and early 21st century from diverse cultures and art centers around the world.

“Modern Art. Modern Lives. Then+Now, comprised of rarely seen work drawn exclusively from local private collections and our own permanent collection, is one of the Museum’s most ambitious and broad-reaching exhibitions,” said Dana Friis-Hansen, AMOA Executive Director. “Never before have Austinites had the chance to see works by modern masters pushing at the boundaries of art in conjunction with the contemporary artists who are confronting the tough issues of our times.”

THEN: 19th and 20th Century Artists at the Turn of the Century, Curated by: Jim Housefield, Adjunct Curator.

Modern art was born in the 19th century out of a newly insistent sense that art and life must merge. This exhibition of works from local collections features artists whose lives changed the course of art as they examined the stories behind their artworks to reveal the social connections that guided Modernism’s course.

In the arts, “being modern,” meant pushing against the constraints of the present to envision new possibilities, especially new ways of shaping and depicting contemporary society. These new aesthetic and social forms emerge in the exhibition’s four sections Places and Spaces, Utopian Dreamers, Portraiture and Modern Temperament, and Follies and Diversions.

Places and Spaces shows the work of artists who dug into the “here and now” of the changing landscapes of modern life, and of others who fled the modern city to make their own places in nature, especially those Utopian Dreamers of artists’ colonies or distant lands. Portraiture and the Modern Temperament reveals the ordinary people who increasingly became the subjects of art: friends, family, hired models, even street performers, whose bodies became vehicles for new aesthetic expression. Experimenting with old techniques like painting and drawing or new printmaking technologies, the artists immortalized their own social circles. Artists gave new value to the fleeting experiences of modern life, even the Follies and Diversions of popular entertainments that poked fun at the foibles of modern men and women.

Famous works by Pierre Bonnard, Paul Cézanne, Paul Gauguin, Édouard Manet, Henri Matisse, Pablo Picasso, Henri de Toulouse-Lautrec, and Van Gogh are included in this collection. Many of these works by modern masters are being shown in Austin for the first time.

NOW: Where Are We Going? Contemporary Artists Address Issues of the 21st Century
Curated by: Dana Friis-Hansen, Executive Director and AMOA Chief Curator.

The contemporary section of Modern Art. Modern Lives. Then + Now presents an open-ended exploration of how fifty artists—both world-famous and lesser known, living and working in Austin, throughout the United States, and around the world—engage with key personal, social, and political issues of our time. This rich selection of artworks embraces a dazzling variety of media, styles, and expressive languages. Offering many viewpoints and provoking viewers to consider the complex world we live in at the start of the 21st century, these modern works are grouped into four sections: Where Are We Going? features both late 19th century and contemporary explorations of the search for meaning in modern times. Artists sought the authenticity and richness of outlying regions of France such as Pont Aven, or exotic locales such as Tahiti to insprire their art (Paul Gauguin, Émile Berard, Paul Serusier). In our own era, artists’ rendering of their quests have sometimes been allegorical (Beth Cambell, Jonathan Marshall, Lee N. Smith), meditative (TreArenz, Andrea Way) or through references to our place within epic or mysterious natural realms (Vija Celmins, Isaac Julian, Owen McCauley).

Paradise: Lost and Found focuses on landscape and the ways we find our place within it. Whether distilled to the colors of a single tree or phases of culture through the four seasons (Anne Appleby, Peat Duggins), or manipulated for our recreation or resources (Ed Burntsky, Rackstraw Downes, Skeet McAuley) artists treat nature very differently in the 21st century–as another artist shows–(Chris Jordan) going forward we must take great care about how we manage our waste.

Who Are We? assembles portraits and figurative representations that address the politics of culture, race, class, and gender in a globalizing world. With pride, anger, innovation, or sharp wit, these artists reject western white male dominance to propose hybrid identities, reminding us that from now on we will all live in a richer and more diverse world. (Terry Allen, Iona Rozeal Brown, Nancy Burson, Margarita Cabrera, Michael Ray Charles, Jenny Holzer, Lance Letscher, Young Min Kang, Ed and Nancy Kienholz, Barbara Kruger, David Magee, Ana Mendieta, Wangechi Mutu, Luis Gonzalez Palma, Fahamu Pecou, Adrian Piper, Andy Warhol, Marie Watt, Kihende Wiley, Carrie Mae Weems, Miwa Yanagi, and John Yancy).

Before and After Battle reveals how the preparations for and recovery from conflict forever impact our lives in ways visible and invisible, subtle and profound. Here we find pre- and post- conflict portraits of everyday people (Paul Shambroom, Sigmar Polke), war victims (Binh Dan), and survivors (Suzanne Opton); weapons turning into ploughshares (Hayden Larsen); allegories of battle and torture (Seth Alverson, Tom Molloy, Julie Merhetu, Sarah Pickering); potentially inflammatory emblems of patriotism (Vito Acconci, Shimon Attie, John Salvo); and evidence of how readily we accept tragedy into our lives (Julie Speed).

Re-blog via ArtDaily.org

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Pulse

 

Audio: Alain Thibault
Video: Matthew
Biederman

Theatre du Chatelet
Paris,
France

PULSE is an audio-video
performance based around the framework of an electronic pulsation iterated over
time. The performance does not present a pre-established scenario via a
traditional arc, but produces a series of psychological states through the
manipulation of light and sound, reflecting the rich history of visual music,
flicker films, and other synaesthetic experiments. No pre-recorded segments are
utilized, but instead, the imagery is synthesized in real time using various
aleatoric techniques and algorithms.

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ASLSP (As SLow aS Possible)

Organ²/ASLSP (As SLow aS Possible) is a musical piece composed by John Cage and is the subject of the slowest and longest-lasting musical performance yet undertaken. It was originally written in 1987 for organ and is adapted from the earlier work ASLSP 1985; a typical performance of the piano piece lasts for about 20 to 70 minutes.

The current organ performance of the piece at St. Burchardi church in Halberstadt, Germany, began in 2001 and is scheduled to have a duration of 639 years, ending in 2640.

via Wikipedia | hat tip Overprocessed

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One poetic reality inspires…

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One poetic reality inspires another to conceive and shift the poem because we tend toward wisdom and secrets, we lust and as readers get high on the music… Powered by Jott

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Words, Poets Don’t Own

 
 

WordsPoetsDontOwn3.wmv
Watch on Posterous
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The soft machines

In a technological advance that opens up new possibilities in the fields of robotics and wearable computing, researchers at the University of Tokyo have developed a stretchable, rubbery material that conducts electricity and can be incorporated into electronic devices.

via Pink Tentacle | Read On

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The tulip fields of Holland

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Tulip Fields

At first glance, it looks like a giant child armed with a box of crayons has been set loose upon the landscape.

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Vivid stripes of purple, yellow, red, pink, orange and green make up a glorious technicolour patchwork.

Yet far from being a child’s sketchbook, this is, in fact, the northern Netherlands in the middle of the tulip season.

Continue Reading

via Daily Mail | Stripes and Dots

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James Dickey on Poetry

“Poetry is, I think, the highest medium that mankind has ever come up with,” he asserted in a 1981 interview. “It’s language itself, which is a miraculous medium which makes everything else that man has ever done possible.”

James Dickey | Poets.org

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