Equipoise

Equipoise Although Max Roach was very much a product of the be-bop revolution of the 1940s, he proved to be quite receptive to modal post-bop and avant-garde jazz in the 1960s. One of the finest post-bop dates Roach recorded during that decade was 1968’s Members, Don’t Git Weary, which finds the drummer leading a cohesive modal quintet that employs Gary Bartz on alto sax, Charles Tolliver on trumpet, Stanley Cowell on acoustic and electric piano, and Jymie Merritt on electric bass. [hat tip the lone beader]

Equipoise by Max Roach   (14979 KB) Listen on posterous Max Roach by Jean-Michel Basquiat

Posted by email from Reckon (posterous)

Peripetics by Zeitguised

 

As quoted from Zeitguised
website, “Zeitguised made a piece in six acts for the opening exhibition at
the Zirkel Gallery. It entails six imaginations of disoriented systems that take
a catastrophic turn, including the evolution of educational plant-body-machine
models and liquid building materials.”

via NotForPaper

Peripetics by Zeitguised

As quoted from Zeitguised website, ?Zeitguised made a piece in six acts for the opening exhibition at the Zirkel Gallery. It entails six imaginations of disoriented systems that take a catastrophic turn, including the evolution of educational plant-body-machine models and liquid building materials.?

via NotForPaper

Posted by email from Reckon (posterous)

Mark Chadwick

Part of the mechanical series of paintings, Motorcar Painting
By Random No.2 incorporates the use of technological devices to produce
a range of different mark making possibilities. This painting was produced by
bump and go toys cars which built up a number of layers using mediums and resin.
The toy cars allowed the artist to remove himself from the act of painting by
handing control over to the toy cars. Decisions on colour, time and positions
were made based on random draws of choices from a hat.

via Mark
Chadwick