The Beat Hotel, a new film by Documentary Arts, goes deep into the legacy of the American Beats in Paris during the heady years between 1957 and 1963, when Allen Ginsberg, Peter Orlovsky and Gregory Corso fled the obscenity trials in the United States surrounding the publication of Ginsberg’s poem Howl. They took refuge in a cheap no-name hotel they had heard about at 9, Rue Git le Coeur and were soon joined by William Burroughs, Ian Somerville, Brion Gysin, and others from England and elsewhere in Europe, seeking out the “freedom” that the Latin Quarter of Paris might provide.
The Beat Hotel, as it came to be called, was a sanctuary of creativity, but was also, as British photographer Harold Chapman recalls, “an entire community of complete oddballs, bizarre, strange people, poets, writers, artists, musicians, pimps, prostitutes, policemen, and everybody you could imagine.” And in this environment, Burroughs finished his controversial book Naked Lunch; Ian Somerville and Brion Gysin invented the Dream Machine; Corso wrote some of his greatest poems; and Harold Norse, in his own cut-up experiments, wrote the novella, aptly called The Beat Hotel.
The film tracks down Harold Chapman in the small seaside town of Deal in Kent England. Chapman’s photographs are iconic of a time and place when Ginsberg, Orlovsky, Corso, Burroughs, Gysin, Somerville and Norse were just beginning to establish themselves on the international scene. Chapman lived in the attic of the hotel, and according to Ginsberg “didn’t say a word for two years” because he wanted to be “invisible” and to document the scene as it actually happened.
The Beat Hotel – a forthcoming documentary film