Daily Archives: January 13, 2010

Hampstead Heath by Chris Rochelle


Chris Rochelle uses a Photo Porst Quarter Plate Camera from 1896 and coats the plates with a film emulsion to produce images such as the ones that make up his 2005/2009 series Hampstead Heath. Rochelle explains the project, “I hope to explore and investigate the fictional spheres that accompany early photographic experimentation, and consequently engage in the argument of Spiritualism in the wake of Materialism. While some of the images reveal the entire plate and all of the images began as straight landscape shots, other images are made re-photographing areas of the developed glass plate–small details the size of a needle tip, edges, corners–frames within frames. The final prints are 10x15in. to 40x60in.”

Artist: Chris Rochelle
+ chrisrochelle.com

rochelle1.jpg


rochelle3.jpg


rochelle2.jpg


rochelle4.jpg

Tagged ,

Birth of Venus

Dc14393a21db730e4862e08150ba5e

Hananiah Harari (American, 1912-2000), “Birth of Venus”, 1936.

 

Oil on canvas, 44 x 56 inches.

 

Kresge Art Museum, Michigan State University

 

MSU purchase, funded by the Nellie M. Loomis Endowment in memory of Martha Jane Loomis, 2009.

Tagged

The Impossible Black Tulip of Cartography

Media_httpwwwartdaily_emike

Andrew Muller, 16, of Hamden, Conn., looks at Matteo Ricci’s 1602 map nicknamed the “Impossible Black Tulip of Cartography” on display at the Library of Congress in Washington, on Monday Jan. 11, 2010. The map is the first map in Chinese to show the Americas. AP Photo/Jacquelyn Martin.

By: Brett Zongker, Associated Press Writer

WASHINGTON, DC (AP).- A rarely seen 400-year-old map that identified Florida as “the Land of Flowers” and put China at the center of the world went on display Tuesday at the Library of Congress.

The map created by Matteo Ricci was the first in Chinese to show the Americas. Ricci, a Jesuit missionary from Italy, was among the first Westerners to live in what is now Beijing in the early 1600s. Known for introducing Western science to China, Ricci created the map in 1602 at the request of Emperor Wanli.

Ricci’s map includes pictures and annotations describing different regions of the world. Africa was noted to have the world’s highest mountain and longest river. The brief description of North America mentions “humped oxen” or bison, wild horses and a region named “Ka-na-ta.”

Several Central and South American places are named, including “Wa-ti-ma-la” (Guatemala), “Yu-ho-t’ang” (Yucatan) and “Chih-Li” (Chile).

Ricci gave a brief description of the discovery of the Americas.

“In olden days, nobody had ever known that there were such places as North and South America or Magellanica,” he wrote, using a label that early mapmakers gave to Australia and Antarctica. “But a hundred years ago, Europeans came sailing in their ships to parts of the sea coast, and so discovered them.”

The Ricci map gained the nickname the “Impossible Black Tulip of Cartography” because it was so hard to find.

This map — one of only two in good condition — was purchased by the James Ford Bell Trust in October for $1 million, making it the second most expensive rare map ever sold. The library bought another of the world’s rarest maps, the Waldseemuller world map, which was the first to name “America,” for $10 million in 2003.

The Ricci map going on display had been held for years by a private collector in Japan and will eventually be housed at the Bell Library at the University of Minnesota. The map symbolizes the first connection between Eastern and Western thinking and commerce, said Ford W. Bell, co-trustee of the fund started by his grandfather, General Mills founder James Ford Bell.

Custodians at the Bell Library focus “on the development of trade and how that drove civilization — how that constant desire to find new markets to sell new products led to exchanges of knowledge, science, technology and really drove civilization,” said Bell, who is also president of the American Association of Museums. “So (the map) fits in beautifully.”

The map was being shown publicly for the first time in North America. It measures 12 feet by 5 feet, printed on six rolls of rice paper.

The Library of Congress rarely exhibits artifacts it does not own because its holdings are so vast, but curators made an exception for the Ricci map. It will be on view through April alongside the Waldseemuller map and later will be shown at the Minneapolis Institute of Arts.

The library also will create a digital image of the map to be posted online for researchers and students.

Ti Bin Zhang, first secretary for cultural affairs at the Chinese Embassy, said the map represents “the momentous first meeting of East and West” and was the “catalyst for commerce.”

Tagged , ,

Yale University Says Lawsuit By Peru Should Be Dismissed

Media_httpwwwartdaily_dajrh

Inca artifact of a Bronze knife pendant, photographed in New Haven, Conn. Yale University is asking a court to dismiss a lawsuit by Peru seeking the return of thousands of Inca artifacts, saying the claims were filed years too late. Yale Peabody Museum of Natural History. Photo: AP.

By: John Christoffersen, Associated Press Writer

NEW HAVEN, CT.- Yale University says a lawsuit by Peru seeking the return of thousands of Inca artifacts removed from the famed Machu Picchu citadel nearly a century ago should be dismissed because a statue of limitations expired.

Peru rejects the argument, saying Yale never owned the artifacts and that its claim is not subject to a statute of limitations under Peruvian law. Peru also says Yale did not assert ownership of the artifacts until late 2008.

“The artifacts are of immense cultural and historical importance,” Peru’s attorneys wrote in recently filed court papers. “Yale’s mere retention of the artifacts establishes nothing.”

The South American nation filed the lawsuit in December 2008 demanding the Ivy League university return artifacts taken by famed scholar Hiram Bingham III between 1911 and 1915. The claim accuses Yale of fraudulently holding the relics for decades.

The Machu Picchu ruins, perched in the clouds at 8,000 feet above sea level on an Andean mountaintop, are Peru’s main tourist attraction. The complex of stone buildings was built in the 1400s by the Inca empire that ruled Peru before the arrival of the Spaniards in the 16th century.

Yale filed court papers Friday arguing the lawsuit should be dismissed because of a three-year statue of limitations under Connecticut law. Yale says it returned dozens of boxes of artifacts in 1921 and that Peru knew it would retain some artifacts.

“In the twenty-first century, long after everyone with any personal memory of the expeditions had died, Peru claimed that Yale had not returned enough of the artifacts and demanded that it now return any artifacts that Bingham had exported from Peru,” Yale’s attorneys wrote.

Yale describes the artifacts as “primarily fragments of ceramic, metal and bone” and says it recreated some objects from fragments.

Peru says the artifacts are composed of centuries-old Incan materials, including bronze, gold and other metal objects, mummies, skulls, bones and other human remains, pottery, utensils, ceramics and objects of art. Peru says the most important artifacts were never returned.

Peru has been pressing its claim to the relics for years, saying it never relinquished ownership of the artifacts.

Tagged , ,

Louvre Love: Museum reports it had 8.5 million visitors in 2009

Media_httpwwwartdaily_wzjkp

PARIS (AP).- The Louvre Museum says it had 8.5 million visitors last year, the same number it had in record-breaking 2008.

Temporary exhibits, including a show about the ancient Egyptians and another on Venetian Renaissance masters Titian, Tintoretto and Veronese, helped attract art lovers.

On top of the 8.5 million people who toured the Paris museum, another 3.5 million visited traveling shows of Louvre works in France and abroad.

Photo: Claude Paris/AP.

Tagged ,

Egyptian Supreme Council of Antiquities: New Find

Egypt-2ch

In this undated photo released by the Egyptian Supreme Council of Antiquities on Sunday, Jan. 10, 2010, newly-discovered tombs of workers are seen, with the Great Pyramid in background, in Giza, Egypt. Egyptian archaeologists have discovered a new set of tombs of the workers who built the great pyramids, shedding new light on how the laborers lived and ate more than 4,000 years ago, the antiquities department said Sunday. Zahi Hawass, the director of Egypt’s Supreme Council of Antiquities, says the tombs are significant because they show that the pyramids were not built by slaves, but rather free workers.

 

Photo: Supreme Council of Antiquities/AP.

CAIRO (AP).- Egypt displayed on Monday newly discovered tombs more than 4,000 years old and said they belonged to people who worked on the Great Pyramids of Giza, presenting the discovery as more evidence that slaves did not build the ancient monuments.

()

 

Tagged , ,

Pyramid Piece: Andy Holden’s Giant Knitted Rock

Andy-2

 


Andy Holden, “Pyramid Piece”, 2008. Courtesy the artist; Works/Projects and Hidde van Seggelen. ©Andy Holden.

Giant Knitted Rock at Tate Britain

LONDON.- From January to April 2010, artist Andy Holden will be displaying a giant knitted rock as part of Tate Britain‘s Art Now programme of contemporary displays. Never before shown in the UK, Pyramid Piece 2009 is a vastly enlarged replica of a small Egyptian stone fragment, created from knitted yarn and foam over a steel support. It will be on display alongside a companion film work, Return of the Pyramid Piece 2008, and a collection of tourist souvenirs, In Place of an Ending (Pyramid Souvenirs, Second Visit) 2008. 

Holden’s practice is driven by an investigation into the relationship between stories and objects. While on a trip to Egypt as a young boy, he took home a small lump of rock from the pyramid of Cheops in Giza. Over a period of 13 years the object came to embody the artist’s sense of guilt, until he decided to travel back to Egypt and return it to the exact spot from which it was taken. A shaky amateur video, filmed by a man Holden met in a café and enlisted to help him, documented this mission and became the film Return of the Pyramid Piece 2008. The transformation of this rock from building material to historical relic to stolen souvenir is contrasted with a collection of more conventional pyramid merchandise, entitled In Place of an Ending (Pyramid Souvenirs, Second Visit) 2008, which use similarly small, solid objects to suggest a variety of multi-layered stories and histories. 

After returning from his pilgrimage to Egypt, Holden set about creating a giant knitted replica of his stolen fragment.

()

 

Tagged ,

Two Gentlemen of Lebowski

Shakespearepicture

What if The Big Lebowski had been written by Shakespeare?

It was of consequence, I should think; verily, it tied the room together, gather’d its qualities as the sweet lovers’ spring grass doth the morning dew or the rough scythe the first of autumn harvests. It sat between the four sides of the room, making substance of a square, respecting each wall in equal harmony, in geometer’s cap; a great reckoning in a little room. Verily, it transform’d the room from the space between four walls presented, to the harbour of a man’s monarchy.
via kottke
Tagged , , , , ,