Daily Archives: January 19, 2010

Hooked on Phoenix



The best thing that could happen to poetry is to drive it out of the universities with burning pitch forks.


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Dada Dress


In her Dada Poem Wedding Dress, Lesley Dill presents one of her enigmatic paper dresses, stamped with an image of a real biological heart (a votive) amongst black letters (Dada-style, in that the varied size and boldness of the typography suggest sound), which spell out what is only implied in Hawarden’s corseted dresses: Dickinson’s “The Soul has Bandaged Moments”. A dip at the waist gives way to a body (there and not there), with the words “MOMENTS OF ESCAPE.” Up and down the sleeves, letters straight and reversed (looking-glass-style) puff out and suck in the heaves and sighs of “THE SOUL HAS BANDAGED MOMENTS.”

Read more via A Dress A Day

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Switch off the censors. Your instincts, trust.


1996 New York Times 

Interviewer: Let’s begin with the origin of your name.

Marvin K. Mooney: I don’t want to discuss my name.

Interviewer: That’s too bad. I think readers would be interested to learn how you came to be named after a character in a Dr. Seuss book. 

Marvin K. Mooney: I’m not interested in what readers might be interested in.


Interviewer: Some accuse your work of being purposefully difficult, overtly opaque, and ultimately disconnected from the human experience. How would you respond to those allegations?

Marvin K. Mooney: Who do you mean by “some”?

Interviewer: Well, I suppose I mean those in the literary community.

Marvin K. Mooney: What literary community?

Interviewer: Readers of books, academics, intellectuals, book reviewers, critics and the like.

Marvin K. Mooney: Well, I suppose if they’re right then my work is a triumph beyond anything anyone has ever seen before.

Interviewer: How so?

Marvin K. Mooney: Think about it. A human being capable of creating something disconnected from the human experience? That’s unparalleled.


Interviewer: Are you interested in notoriety?

Marvin K. Mooney: What do you mean?

Interviewer: As a writer, do you think about posterity, whether or not your work will be remembered or forgotten in a thousand years?

Marvin K. Mooney: I want to be famous or I want to be forgotten. That is what it means to be an American. Mediocrity is utterly unacceptable. Extremity is the only viable ontology remaining.


Interviewer: Who are you influences?

Marvin K. Mooney: My mother, my father, and Phil Collins.


Seems like everywhere I turn lately I read something or hear something about this mysterious writer called Marvin K. Mooney….It doesn’t seem like he’s published any books, although the email I got last night suggested that a collection of his work was forthcoming — but it didn’t say when or by what publisher. Also, there’s no Wikipedia entry for him, and when I Googled him all I got back was a bunch of Dr. Seuss links.

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Miho Hatori: A Song for Kids

Miho Hatori’s “A Song for Kids” from her album ECDYSIS.

Director: Gabriela Gasparini and Marianna Dutra

Photographer: Marianna Dutra

Editor: Gabriela Gasparini

Production: Mariana Castro



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Mark Mawson






Australian photographer Mark Mawson captures these mesmerizing images by pouring paint into water. Many more on his site (under the “series” tab).

Via This Blog Rules.

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