via Ruradelia | Rural is the Future.
via Ruradelia | Rural is the Future.
Directed by Thomas Traum
Music by Gustav Mahler
Symphony No. 5 in C sharp minor – 04 – IV
Kinetic the interface nerve spreads restless kinetic words
re-discovered in the anguish of the anatomical skinny
How grotesque these modern months
how dreamily diabolical the monstrous methods and intimate stunts
When might everyday life be pieces of poetry, World Words?
When might it not?
Visual music wants to change the warsong framework of time
With re-pulsing literature flashing superbeams through pre-recorded walls
Hot honeyed in the installation room,Viewer:
you water songs looking at the many people mazed
In the glittering gutter slurping at the waterbank chain
humping at(o)ms trying to find a pulse
In the rape and pill age
rebuilding after hurricane
Intuitive evidence mounts and what’s in a name or breed of plant?
What’s in the seemingly familiar mundane lurking about?
Long that hard chorus sneaks and stalks outside my windows hardly worried
about eternity earth or the rough lense of time
Mothering me it knows better from giving and oral story morals
Still, determined stones are living
Tho some know not why
the ground becomes sad music
when the air says rise wishes rise.
From The Pulchritudinous Review
Ed: Renee Zepeda
A true master of the art of collection display was the late Ettore Guatelli. This set of photos of his rural museum in Italy are absolutely spellbinding and show just what is possible when displaying an assortment of objects.
“Some people like taking their time,” says artist Kim Rugg, whose artistic achievements are measured in millimeters, used X-ACTO blades and picas. We spent the afternoon with Rugg in her London home and studio talking about her work re-imagining newspapers, comics, stamps and cereal boxes using their existing form while rearranging their content. Kim finds inspiration from the mundane and common objects around us. Her wicked knife skills and tenacious attention to detail have created a body of work that is as impressive as it is curious.
via Cool Hunting
Do they ever let the tripping of the tips of their tongues against the tops of their teeth transport them to giddy euphoric bliss?
For a brief time in 2008, Stephen Fry, the popular British author, writer and comedian, produced a series of podcasts – called “Podgrams” – that drew on his writings, speeches and collective thoughts. (Find them on RSSand iTunes here). During one particular episode, Fry meditated on language (the English language & his own language) and a little on Barthes, Chomsky, Pinker and even Eddie Izzard. Then Matthew Rogers took that meditation and ran with it, producing a “kinetic typography animation” that artfully illustrates a six minute segment of the longer talk. Watch it above, and if you’re captivated by what Fry has to say, don’t miss his popular video, What I Wish I Had Known When I Was 18.
via Open Culture
Carnival of Souls is a low budget 1962 horror film starring Candace Hilligoss. Produced and directed by Herk Harvey for an estimated $33,000, the movie never gained widespread public attention when it was originally released as it was intended as a B film and today, has become somewhat of a cult classic. Set to an organ score by Gene Moore, Carnival of Souls relies more on atmosphere than on special effects to create its mood of horror. The film has a large cult following and occasionally has screenings at local film and Halloween festivals.
Herk Harvey was a director and producer of industrial and educational films based in Lawrence, Kansas, where he worked for the Centron Corporation. While vacationing in Salt Lake City, he developed the idea for the movie after driving past the abandoned Saltair Pavilion. Hiring an unknown actress, Lee Strasberg-trained Candace Hilligoss, and otherwise employing mostly local talent, he shot Carnival of Souls in three weeks, on location in Lawrence and Salt Lake City.
To Struga Festival Golden Wreath Laureates
& International Bards 1986
Stand up against governments, against God.
Say only what we know & imagine.
Absolutes are coercion.
Change is absolute.
Ordinary mind includes eternal perceptions.
Observe what’s vivid.
Notice what you notice.
Catch yourself thinking.
Vividness is self-selecting.
If we don’t show anyone, we’re free to write anything.
Remember the future.
Advise only yourself.
Don’t drink yourself to death.
Two molecules clanking against each other require an
observer to be-
come scientific data.
The measuring instrument determines the appearance of
nal world after Einstein.
The universe is subjective.
Walt Whitman celebrated Person.
We are observer, measuring instrument, eye, subject,
Universe is Person.
Inside skull vast as outside skull.
Mind is outer space.
“Each on his bed spoke to himself alone, making no
“First thought, best thought.”
Mind is shapely, Art is shapely.
Maximum information, minimum number of syllables.
Syntax condensed, sound is solid.
Intense fragments of spoken idiom, best.
Consonants around vowels make sense.
Savor vowels, appreciate consonants.
Others can measure their vision by what we see.
Candor ends paranoia.
From “Cosmopolitan Greetings: Poems 1986-1992” by Allen Ginsberg
Visitors look at “Nuria’s White Head” by Spanish artist Jaume Plensa displayed at the Grand Palais in Paris, Friday Oct. 22, 2010 during the Paris FIAC, International Contemporary Art Fair. AP Photo/ Francois Mori.