The nature of farming is forever changed.Farming is a practice that by it’s own nature unites humans, technology and animals in productive combinations. Hybrids and various mutant bio-mechanical mixtures—Caterpillar combines, John Deere tractors, etc.—began transforming the rural landscape of America beginning in the early 20th century by subjugating the pastoral ideal to the ingenuity of human invention. From utilitarian machinery, to show piece display, both farm animals and machines express a range of complex personalities. Which poses the question: can these overlaps and mutable identities expand to contend with the various crises the farm industry is facing today? Farmland World is a chain of agro-tourist resorts sprinkled across the American Midwestern countryside. Part theme park and part working farm, guests arrive to the resort via train and stay as part of 1-day, 3-day or 5-day experience packages. Capitalizing on both recent investments in high-speed rail infrastructure and the plentiful subsidies for farming, the network of resorts combines crowd-sourced farm labor with eco-tainment. Guests perform daily chores as self-imposed distractions from the toil of their daily lives. Among the countless activities offered, guests can choose to ride the Animal Farmatures, the dual natured farm implements that complete traditional farm tasks while performing grand rural-techno spectacles. When its time to leave for home, guests climb back into the train, weary and satisfied from their labors as they marvel at the passing landscape they helped transform. Year: 2011
Tele-Present Water by David Bowen.
This installation draws information from the intensity and movement of the water in a remote location. Wave data is being collected in real-time from National Oceanic and Atmospheric Administration data buoy Station 46246 (49°59’7″ N 145°5’20″ W) on the Pacific Ocean. The wave intensity and frequency is scaled and transferred to the mechanical grid structure installed at The National Museum in Wroclaw, Poland. The result was a simulation of the physical effects caused by the movement of water from this distant location.
The PR: Issue Three is an experimental literary magazine of poetry, art, collage, photography, and design.
This issue features: Alice Notley, Amiri Baraka, Elizabeth Robinson,
Jack Collom, Hillary Keel, Chris Weige,
Damian Rogers, Renee Zepeda, Brandi Strickland,
Lina Scheynius, and many new emerging writers…